The Company

Built on cotton, and swenty-six years of stubborn craft.

We still cut, prime, and staple every board and roll by hand in the same mill where we started. Consistency is the only luxury we sell.


The Range

Five ways to start a painting.

Studio Staple

Canvas Boards

Acid-free, triple-primed cotton mounted to rigid board. Sold in packs of 5, 10, and 20.

Spiral-bound canvas paper pad

Sketch & Study

Canvas Pads

Glue-bound sheets with genuine canvas texture, built for oil and acrylic studies on the go.

Stretched canvas frames in a studio

Gallery Ready

Stretched Canvas

Kiln-dried pine bars, hand-stapled corners, available from 20cm up to mural scale.

Rolled canvas fabric bolt

By the Metre

Canvas Rolls

Unprimed and primed cotton duck and linen, woven wide for large-format cutting.

Wooden artist easel in a sunlit studio

Studio Furniture

Easels

Solid beechwood studio and field easels, built to hold weight through decades of use.

Our Word

We weave the ground so the artist can trust the surface.

Every roll leaves our mill inspected by hand, thread by thread, before it ever touches a stretcher bar.


Cotton Duck Linen Acid-Free Primer FSC Timber

“We never set out to be the biggest mill. We set out to be the one painters don’t have to think about.”

— Founder, Fieldstretch Canvas Co.